Journal of the stylistic of Persian poem and prose
volume Number 13، number In Volume 12، March 2021 ، issue Number 58

Investigating the stylistic features of satier in the fictional works of Firoozeh Jazayeri dooma and Fariba Kalhor

Sory sadeghi limanjoobi , doreh dadjotavakoli (Author in Charge), mohmmadali Gozashti

Abstract

Fariba Kalhor (1340) and Firoozeh Jazayeri dooma (1344) are two contemporary women writers who have explored in their narratives Through of ironic language and critical satier, with relationships, affairs, and life phenomena. The language of stories both is combined with a variety of satier mechanisms, while being simple and psychological, As it can be said, many of these mechanisms have gradually become the stylistic features of their works. The present article intends based on a satirical stylistic approach, Examine the most important mechanisms for creating satier in the works of these two authors. The results of this study indicate the commonalities between Kalhor and Jazayeri"s style of satire. The most common tricks of satier creation in the stories of the two, which are upgraded to stylistic features, are: The satirical expression of content and situations in the three main forms of combining two incompatible things, the expression of meaning contrary to the appearance of the word and shrinking and magnifying and placing critical and social sub-narratives at the heart of the main story. Also in the functional part of satirical expression that focuses on individual correction and social criticism, Form of expression of Explicit in mockery, are among the important stylistic features of these stories. At the level of layers of inconsistency and incompatibility, among the three areas of phonetic, lexical and situational incompatibility, situational incompatibility has a high frequency. The common element and the main organizer of style in all cases is the special tone of the narrators and narrators.

Keyword
Style , satier , satier creation mechanisms , Fariba Kalhor , Firoozeh Jazayeri dooma

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